Akai S950 Tone Program



Akai S950 Tone Program

Akai S950 Program Packs for MPC X/Live/One I've spent a couple of days with the auto sampler to create some Programs for the MPC by recording Akai S950 sounds into key groups. Personally if you are like me and you dig that old 12-bit sound, stretched to the limit, and then some, then check these out. Create your InMusic Profile. Akai Professional is part of an elite family of hardware and software companies known as inMusic Brands. The inMusic Profile is where you can register products, download software titles, and access exclusive content and offers - not just for Akai Professional, but for any brands within the inMusic network! Amtlib framework cc 2017 mac download. Tutorial to create a program in pc (mpc editor and MpcPrgMaker) and then convert to S1000 (compatible format) and save to a floppy and FINALLY load into s950.

Sega dreamcast half-life. Released: 1989

MSRP: $1900

Synopsis:

Bridges the S900 and S1000 linesArchitecture Class: Sampler.

Ebay Description:

ProgramAkai S950 Tone Program

The Akai S950 is a 3U rack, 8 voice, velocity sensitive, 12 bit sampler with 8 individual outputs, featuring a programmable digital low pass filter, vibrato, dedicated ADSR filter and amp envelopes, auto-bend, and MIDI. Sample memory (500kW) can contain up to 32 Waveform, recorded at 7.5-40kHz. Sample editing includes loop, resampling, reverse, time-stretch, and truncate. Waveform can be saved/loaded via a 3.5″ DSDD drive.

Physical

Form FactorDimensionsWeightAudio InputAudio OutputCommunication PortControl InputControl OutputSwitch InputPower
3U rack W:482.6mm H:132.6mm D:410mm 10.8kg mic line mono stereo 8 individualMIDI: IN OUT THRU RS-232nonorecord triggerwired

Akai S950 Tone Programming

Interface

CompatibilityMultitimbral MemoryProgram MemoryExternal StorageExternal ProgrammingUI InputUI Output
S900 S1000 S1000HD S1000KB S1000PBN/A99 maxdisk:3.5″ DSDD optional Atari/Supra CD/RDAT (IB105 board)MIDI Sysex RS-232menu drivenLCD display

Architecture

MultitimbralPolyphonyUnisonArchitecture
no8yesSample->VCF->VCA

Output

EffectsPan ModulatorVolume ModulatorHeadphone
None no EG1 Velocityno

Control

ArpeggiatorArpeggiator ExternalSequencerSequencer MemorySequencer ExternalContinuousProgram Change
no nonoN/A N/A MIDIMIDI

Akai S950 Tone Program Software

Keyboard

Key PressureChord MemoryExternal ControlExternal SustainKey ScalingVelocity Curves
channelno MIDIMIDI11

Sample

StereoSample DepthSample RateSample RAMSample ROMSample PointsSample TriggerSample LoopSample Edit
no12b (16b processing) 7.5-48kHz500kW (750kB) (EXM006 board doubles)no32 pedal1 crossfade:loop merge resample (half BW) reverse splice time stretch truncate

Source

NameSignal ClassWaveformOctave RangeAmplitude ModulatorHarmonics ModulatorPitch ModulatorWave Assign Modulator
Sampledigital 99N/A no no Auto-bend LFO MIDI Velocity Key Velocity

Akai S950 For Sale

Filter

NameSignal ClassICResonantShapeFrequency ModulatorResonance ModulatorShape Modulator
DSPdigital?nolow pass EG2 Key no no

Akai S950 Tone Program Manual

Envelope

Akai S950 Vst

S950
NameLevelRateLoopPolarityTriggerLevel ModulatorRate Modulator
EG1 sustain attack decay releasenono key no no
EG2 sustain attack decay releasenono key no Velocity

Akai S950 Sampler

Akai S950 Tone Program

LFO

NameWaveformDelayPolaritySyncDelay ModulatorLevel ModulatorRate Modulator
LFO ?yesnono no pressure MIDI-CC1 no
Sampler Models

Fade

The Beat Strangler
*** illest o.g. ***

Akai S950 Tone Programmer


One of the most popular hardware samplers over the years for hip hop producers was the Akai S950. Essentially an upgraded version of the S900, this sampler became popular amongst hip hop heads, namely for its 12-bit linear sampling capabilities. Most producers would stack this with an E-MU SP1200, giving them the perfect 1-2 punch to deliver some knockout, hard-hitting, rough-as-can-be hip hop tracks.
History

Produced between 1988 and 1993, Akai gave this machine a 48kHz sampling rate, with a maximum of 2.25 MB of RAM, and features such as crossfade looping and pretrigger recording. Those features were on the S900, but were considered optional, so you would have had to upgrade your machine to get those options.
Features

Even though the S950 had a 48kHz sampling rate, by having that it reduced the maximum sample time, taking up more room. There were eight outputs, and this was also the first Akai sampler to have time stretching, which of course enables you to alter the sample length withouth messing with the pitch, and it did a great job at it since most time stretching (or stretching too much) will give your sample an artificial sound to it.
One of the best functions of the S950 was to use it for drum loops, which is a huge plus for hip hop production, giving you 12-bit drums. A nice feature that was also added was the fact that you could use S900 disks and even S1000 disks with the S950! That's a big bonus because who would want to get rid of their S900 disks with all those old samples, just because of a new format? Props to Akai for that feature.
Usage

The S950 was never meant to be a fancy-looking machine, but it definitely got the job done, and it did it well. Sure, there were some well-known issues with this unit such as some of the expansion chips could easily fall out if you threw your machine around (who would do that?), plus the disk drives would sometimes fail and it could be costly to replace them.
Many, many, many hip hop producers used the S950 over the years, guys like Pete Rock, DJ Premier, Clark Kent, Da Beatminerz, Lord Finesse, and the list goes on. If you ever see an S950 for sale, think about picking one up if you're feeling nostalgic!
Here's a video showing the sampling features of the Akai S950: